Sam Cherry Pulp Western Cover Painting

This is a cover painting for an as-yet unidentified Western pulp magazine by well-known cover artist Sam Cherry (1903-1975).

Condition-wise, it has overall grime. The canvas is coming apart from the stretcher towards the top right corner area. Some paint loss and minor holes. This would look fantastic with just a little conservation.

Signed at the bottom right.

  • Media: Oil on canvas
  • Dimensions: 22″ high x 17″ wide
$950.00
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NorthWest Pulp Cover Painting

NorthWest Pulp Cover Painting

Possible pulp cover painting. Has some craquelure. Some grime on surface which will clean nicely if desired. Signed at lower right “Rex C.”

  • Media: Oil on canvas, framed
  • Dimensions:
    • Framed: 31.5″ high x 24.5″ wide
    • Image only: 28″ high x 21″ wide
$600.00
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Nick Eggenhofer (Attr.) Interior Pulp Illustration

Nick Eggenhofer (Attr.) Interior Pulp Illustration

Large interior pulp magazine illustration attributed to Nick Eggenhofer (1897-1985). Matted nicely. There is some foxing visible, and a small tear to the board (visible at bottom right).

  • Media: Ink on board
  • Dimensions:
    • Matted: 21.5″ high x 30″ wide
    • Image only: 15″ high x 23″ wide
$185.00
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Leland Gustavson Illustration from 1951 Blue Book Magazine

Interior illustration for “Strictly Business” by Robert Ormond Case from the May 1951 issue of Blue Book magazine by Leland Gustavson (1894-1966). Matted.

  • Media:Illustration is mix media on flat canvas
  • Dimensions: 15″ high x 12″ wide
$50.00
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Leland Gustavson Illustration from 1940 Blue Book Magazine

Interior illustration for “Swamp Angel” by Raymond S. Spears from the May 1940 issue of Blue Book magazine by Leland Gustavson (1894-1966).

  • Media: Mix media on flat canvas
  • Dimensions: 23″ high x 17″ wide
$150.00
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Jerome Rozen advertising illustration

Jerome Rozen Advertising Artwork

Excellent oil painting prelim by pulp illustrator Jerome Rozen (1895–1987). This is study for an advertising illustration. Nicely framed.

  • Media: Oil on board
  • Dimensions:
    • Framed: 16″ high x 12″ wide
    • Image only: 9.5″ high x 6″ wide
$95.00
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Jerome Rozen illustration for Boy's Life

Jerome Rozen Preliminary Artwork from Boys’ Life

Excellent oil painting prelim by pulp illustrator Jerome Rozen (1895–1987). This is for an interior illustration for Boys’ Life magazine. Nicely framed.

  • Media: Oil on paper
  • Dimensions:
    • Framed: 15″ high x 13.5″ wide
    • Image only: 8″ high x 6.5″ wide
$95.00
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Walt Simonson Guy Gardner Sketch

Walt Simonson Guy Gardner Sketch

Convention sketch of anti-hero Green Lantern, Guy Gardner, by famed comic book illustrator Walt Simonson. Framed tastefully and in nice condition.

  • Media: Ink on paper
  • Dimensions:
    • Framed: 10″ high x 8″ wide
    • Image only: 6″ high x 4.5″ wide
$100.00
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Unidentified Slick Illustration Original Art

Unidentified Slick Illustration Original Art

Interior illustration for an unidentified slick story. Dated “34.” There is some foxing on the board.

  • Media: Mixed media on board
  • Dimensions: 14.5″ high x 9.5″ wide
$40.00
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Benjamin Albert Stahl Saturday Evening Post Illustration

Benjamin Albert Stahl Saturday Evening Post Illustration

Interior illustration for “No Mortals on Earth” by Georges Carousso from the October 14, 1944 issue of The Saturday Evening Post by Benjamin Albert Stahl (1910-1987). Matte on board.

  • Media: Ink and wash
  • Dimensions:
    • Overall: 18″ high x 13″ wide
    • Image only: 8.5″ high x 3″ wide
$100.00
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Branton Western Pulp Cover Painting

Western Pulp Cover Painting

Unidentified pulp cover painting, signed “Branton” in the lower left corner. Nicely framed and in excellent condition.

  • Media: Oil on canvas, framed
  • Dimensions:
    • Framed: 34.5″ high x 25″ wide
    • Image only: 29.5″ high x 20.5″ wide
$900.00
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Walter Baumhofer Original Pulp Painting for Outlaws of the West (1930-32)

Walter Baumhofer Original Pulp Painting for Outlaws of the West (1930-32)

Original pulp painting by Walter Baumhofer (1904-1987), attributed to the pulp magazine Outlaws of the West, published by Hersey Publications. The exact issue isn’t certain, but it’s one of the rare 1930-32 issues. Oil on canvas, framed to 28″ tall x 25″ wide.

Walter Baumhofer is one of the most collected pulp artists, with one of his Doc Savage covers of the era recently selling for nearly $100k. This cover is typical of the style he used for the Harold Hersey-published pulps.

$4,250.00
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Verne Tossey Original Cover Painting for

Verne Tossey Original Cover Painting for “Silver Rock” (Ballentine, 1953)

This is the original cover painting by Verne Tossey (1920-2002) for “Silver Rock” by Luke Short (paperback, Ballentine, 1953). Oil on board. Image is 26″ x 18″ and framed to an approximate size of 35″ x 27″.
Signed center left. Comes with a copy of the book.

$1,250.00
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John Fleming Gould Original Painting for The Saturday Evening Post (1941)

John Fleming Gould Original Painting for The Saturday Evening Post (1941)

Original John Fleming Gould painting for The Saturday Evening Post (1941). Story illustration, watercolor on paper. Signed lower right. Inscribed on reverse and having old Curtis Publishing Company label for The Saturday Evening Post. Image 21″ x 27.”

$950.00
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Sidney Riesenberg Original Painting for Complete Detective Novel Magazine

Sidney Riesenberg Original Pulp Painting for Complete Detective Novel Magazine (January 1931)

Original pulp painting by Sidney Riesenberg (1885-1971) to the January 1931 issue of Complete Detective Novel Magazine. Oil on canvas, 30″ x 28″; framed to 33.5″ tall x 31.5″ wide.

Comes with a copy of the original pulp.

Quality-wise, Riesenberg’s covers are hit-or-miss. The figure on the left is the best-realized figure we’ve seen in any of Riesenberg’s surviving paintings.

$2,950.00
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Jerome Podwil Original Painting for Tall for a Texan (Ace Double M-122, 1965)

Jerome Podwil Original Cover Painting for “Tall for a Texan” (Ace Double M-122, 1965)

Original paperback cover painting by Jerome Podwil (1938- ) to Tall for a Texan (by Roger Spellman, Ace Double M-122, 1965) and used again for South to New Range (by Don P. Jenison, Ace Double 17235, 1970). Mixed media on board, 23.5″ x 15.5″. Comes with a copy of the original paperback.

Provenance: from the Dan Roberts Collection.

This is great-looking piece for Ace paperback collectors with an interest in owning a piece of original Ace artwork.

$500.00
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Willard Neeley Original Painting for Barbed Wire Kingdom (Bantam #1926, 1959)

Willard Neeley Original Cover Painting for “Barbed Wire Kingdom” (Bantam Books #1926, 1959)

Original cover painting by Willard Neeley (20th C.) to Barbed Wire Kingdom (by C. William Harrison, Bantam #1926, 1959). Gouache on board, 15.625 x 9.25 in.; framed to approx. 21 x 15 in.

Comes with a copy of the original paperback.

Provenance: from the Dan Roberts Collection.

$500.00
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Hunter Barker Original Painting for Trigger Law (1952; Jim Hatfield Series)

Hunter Barker Original Cover Painting for “Trigger Law” (Jim Hatfield Series, 1952)

This is the original cover painting by Hunter Barker (1918-2010) to Trigger Law (by Jackson Cole, Pyramid #66, 1952), a Jim Hatfield novel. Oil on canvas, 19.75 x 12.75 in.; framed to aprox. 15 x 22 in.

Comes with a copy of the original paperback.

Provenance: from the Dan Roberts Collection.

$1,500.00
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